Chancellor Helmut Kohl’s speech and German reunification

Six weeks after the fall of the Berlin Wall in 1989, Helmut Kohl went to Dresden. The enthusiastic reception he received there acted as a catalyst for a rapid German reunification. The speech Kohl gave there was the most difficult and probably most important speech of his life.

Peter Limbourg will never forget December 19, 1989. That’s when, as a young television correspondent reporting on the historic events surrounding the fall of the Berlin Wall, he went to Dresden, where the West German Chancellor Helmut Kohl was to meet with the de facto East German leader Hans Modrow to stabilize the situation in the communist state. But shortly after his arrival, it became clear that the thousands of East Germans lining the streets and giving him an enthusiastic welcome were in no mood for lengthy negotiations. They wanted a united Germany — and as fast as possible. Until then, Kohl had thought it would take at least three or four years to bring the two Germanies together, but this day in Dresden made him realize that everything could go much faster. His spontaneous speech in Dresden turned into a rhetorical tightrope act. He knew he couldn’t disappoint the East Germans nor snub the four Allied Powers, and that “Any slip of the tongue would have been immediately interpreted in Paris, London or Moscow” as sign of nationalism. Thirty years later, Limbourg goes back to Dresden and talks to the political leaders of the time and to the citizens of Dresden who, like himself, witnessed that historic moment.

How to rescue modern artworks

https://www.youtube.com/watch?v=pZuEddiXVzM

Restorers of modern artworks have to deal with the strangest materials. Christian Scheidemann has worked on everything from sculptures made from eggshells to a work made from elephant excrement at his studio in Los Angeles.

Scheidemann is a master when it comes to saving the works of iconic modern artists such as Andy Warhol, Joseph Beuys, Paul McCarthy and Robert Gober. The restorer approaches their aging creations like a doctor does patients. Artists, collectors and museums all go to him for help. This documentary takes a close look at how Scheidemann works and the materials he uses to do his magic, including resurrecting an image that had already been deemed a total loss. The film also follows him as he examines the work of a young artist in Brooklyn, advises performance artist Carolee Schneemann, and receives a Golden Lion at the Biennale in Venice.